ERM MULTICLOCK SET UP GENERATOR
ERM MULTICLOCK SET UP UPDATE

With 2.8.x (not sure about 2.7.) the MPCX is at least not resending the CCs and SysEx's everytime around anymore - it did before - there was a drift you could count on Are you sending CC or SysEx info at the start of sequences? This is holding up the MPCX quite a bit. That sounds evil - I am considering to get an ERM Multiclock.

ERM MULTICLOCK SET UP UPDATE

I'm not sending any sysex, will delete all the CC data (leaving only note and velocity data) and update this thread if it solves the issue. I am certainly sending a lot of date thru the MIDI cable on the same beat, but I'm beginnning to feel a bit insane because I'm reading of other people having 'rock solid timing' with MPC as both slave and master since 2.8 firmware. Hey! actually this might be due to CC messages being sent, but not sure. Akai needs to fix this - even with all the wonders of the MPC workflow and style, this thing might be garbage. It seems/sounds like the MPC's cpu is adding some time at the repeat moment of a sequence. And for the life of me I cannot get it to stay in sync for more thann the length of one sequence. nothing that should be too challenging for a sequencer. I am still having issues with the MPC staying in sync after getting an ERM Multiclock! Trying to do some tight-rhythm techno kind of stuff. There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.DeaDeus wrote: ZacDBS wrote:For those considering getting the ERM multiclock. This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock. If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On. If you got them configured, channel settings can always be named and saved as a preset for later recall. An analog LFO is available with various waveforms and a range of 0-5V. Again, individually for each channel and in realtime.Įach channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.Īnalog clock signals are configurable in polarity, start / reset behaviour and feature a flexible clock divider. If you have set your machines up to be on the spot, start playing with shuffle.

The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us. To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.

ERM MULTICLOCK SET UP GENERATOR

Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter. The multiclock solves your sync issues in the studio and on stage once and for all.

Erm multiclock set up